With his nineteen-year-old daughter, a collection of maps and the help of an opinionated GPS, Peter Midgley sets out across Namibia. Visiting small-town museums and gravesites, crossing border checkpoints and changing tires, they travel its length and breadth. Stories about Portuguese explorers and the first genocide of the twentieth century collect on the back seat of their car alongside the author's earliest childhood memories of growing up in the country. By the end of the journey, the stories piece together into an understanding of Namibia's present and make it possible for Midgley to share his love for this complicated, vibrant place with his daughter.

Peter Midgley is a poet and storyteller. He has performed in several countries around the world and has published three children’s books, one of which, Thuli’s Mattress, won the International Board on Books for Young People Award for Literacy Promotion and has been translated into twenty-seven languages. He is also the author of two plays and a bilingual volume of poems, perhaps i should / miskien moet ek, which appeared with Kalamalka Press in 2010. A second collection of poetry, Unquiet Bones, will be published by Wolsak & Wynn in 2015.

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“His writing is lush, detailed and descriptive and it’s obvious that he brings his strengths as a poet to the prose. It is impossible to read this book and not take away a feeling of the country, its landscape and its people.”

Daily Herald Tribune

“Peter Midgley [takes] the reader on a journey of Namibia that captures the imagination as he weaves a multilayered tapestry of proud and often defiant Namibians, war monuments, hidden cemeteries, dusty back roads and tire repair shops…. It is both an intimate exploration and a careful and well researched story of a meandering journey through 21^st century Namibia as conducted by Midgley and Sinead, his wonderfully perception and insightful daughter, muse and travelling companion.”

Battle River Writing Centre Writing Room

“Counting Teeth is as much a story of displacement and identity as it is a father-daughter love story…. Midgley uses a form of literary transference as town by town, grave by grave, skull by skull, he takes his daughter by the hand to bear witness with him, explaining where they are, why they are there, gently bringing all that is his past into their present.”

Battle River Writing Centre Writing Room